The Vrondisi
Monastery is situated 4 km west of Zaros on the slope towards the Rouvas forest.
The monastery is thought to be
founded as early as the second Byzantine period, but did not reach its
great period until the last centuries (16th-17th century) of the Venetian
period. This period is also called the Cretan renaissance because the
cultural life at that time began to flourish, and well-known artists such
as Michail Damaskinos and El Greco (Dominikos Theotokopoulos) painted
their unsurpassed icons which united Byzantine and Venetian art of
painting.
The former painted six of his
icons in precisely the Vrondisi monastery where they were until the year
1800 when the metropolitis of Crete, Gerasimos Pardalis, moved them to the
Agios Minas church in Iraklion in order to save them in future as the
monastery at that time was deserted.
Today they are at the icon
museum in the Agia Aikaterini Sinaiton church (also in Iraklion).
The square in front of the
monastery is embellished with two giant plane trees of which the one to
the left is hollow after a stroke of lightning.
Beside the tree is a beautiful
well from the Venetian period representing Adam and Eve and the four
rivers in the Garden of Eden symbolized by four faces from where the water
flows both day and night.
The monastery was earlier
surrounded by heavy walls as known from most monasteries from the Venetian
period, but now there are but only parts of the west wall remain today.
In the middle of the court
stands the two-nave church dedicated to St. Antonios and St. Thomas.
The southern nave still has
remains of frescoes.
It is also worth noticing the
clearly Italian inspired belfry in the church end - and not least the
magnificent view over the valley with the Asterousia mountains in the
background.